Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Einar Modahl
Einar Modahl was born in Norway in 1901 and grew up surrounded by a culture that valued fine craftsmanship. As a young man he apprenticed under two of the country’s most respected jewelers, Clement Berg and Marius Hammer. The training was rigorous, but it gave him a solid foundation and a close look at the discipline behind decorative metalwork. By 1920, still in his twenties, he opened his own workshop.
That workshop quickly earned a name for its precision and originality. Modahl became known for his skill with the guilloché technique, where patterns are engraved into metal, then brought to life with enamel. He combined those elements in a way that felt both rooted in tradition and surprisingly modern. The colors were vivid, the surfaces alive with movement, and the designs carried a freshness that set his work apart.
As his reputation spread, his business expanded too. In 1937 he turned the workshop into a limited company, bringing on partners including Odd Frisch. The collaborations allowed him to reach a wider market, and his designs gained recognition well beyond Norway.
Modahl died in 1951, but the company carried on for decades, finally closing in 1987. Even without him, the workshop kept the same focus on detail and style that he had established. His pieces became touchstones of Norwegian modernist jewelry, balancing older decorative traditions with a newer sense of form and color.
Collectors and jewelers still point to his work today as an example of how silversmithing can bridge eras. The pieces don’t just mark a moment in early 20th century design; they show how one craftsman’s vision can continue shaping an art form long after his own hands are gone.
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