Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Michael Kirk
Michael Kirk built his reputation in Native American jewelry through a life shaped by Navajo and Isleta Pueblo traditions. He began his career in 1971, guided by the heritage he was born into and the artistic world that surrounded him from an early age. His first notable works featured feather designs, carefully crafted by hand, each one carrying the precision and symbolism that would become his signature.
The landscapes of his upbringing left an impression on him: wide desert horizons, earth meeting sky in vivid color. These surroundings, paired with cultural teachings, gave him a foundation for designs that spoke of both nature and identity. The feather motifs he created were not just decorative but carried meaning, rooted in the stories and values passed down through generations.
As his career developed, Michael became known for more than tradition. He sought ways to expand the possibilities of jewelry-making without leaving behind the hand fabrication that defined Native artistry. His turning point came with the adoption of ceramic e-coatings, a process first developed in Italy. With support from Rio Grande in Albuquerque, he refined the technique to bring brilliant color into his work without the use of stones. Few Native artists had explored this method, and Michael’s use of it set him apart.
This combination of old and new became central to his artistry. Each piece carried the structure of traditional silversmithing while glowing with modern color. The result was jewelry that could not be mistaken for imitation, standing at the meeting point of heritage and innovation.
Michael’s work tells a story of someone moving between two worlds: one firmly anchored in the traditions of his ancestors, the other reaching toward contemporary methods and expression. His jewelry is more than adornment. It represents a continuation of culture, an embrace of progress, and the resilience of identity shaped through craft.
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