Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Ivar Holth
In 1943, during the uncertainty of World War II, Ivar T. Holth opened a small silversmith workshop in Oslo, Norway. The city was alive with new artisans at the time, each trying to make their mark. Holth found his own path through guilloché enamel, a technique that layered vivid color over precise engraved patterns. The decision set his work apart, giving his jewelry a distinctive look that caught attention at home and abroad.
Nature often guided his designs. Butterflies, leaves, and other delicate motifs appeared frequently, while some pieces drew on Victorian revival styles with more elaborate, almost narrative scenes. The colors he used reflected the landscape around him, from fjord-deep blues to fiery shades that echoed the northern skies. His workshop became known for turning small objects into striking expressions of Norwegian artistry.
Over the decades, the company grew steadily. Much of the jewelry was exported, carrying Holth’s name far beyond Norway. In the late 1970s, his son Per took over management and guided the workshop until 2007. Under his watch, the reputation for careful craftsmanship continued, and the designs adapted to the tastes of a broader market without losing their original character.
Even after production ended, the pieces retained their appeal. Collectors and artists still look to Holth’s work as a blend of tradition and imagination, grounded in skill and shaped by Norway’s natural beauty. The silversmithy may have closed its doors, but its jewelry remains as proof of what careful hands and a clear vision can create.
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