Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Knut Andreas Rasmussen
Knut Andreas Rasmussen was born in Ålesund, Norway, in 1837. As a young man he apprenticed as a goldsmith before making his way to Oslo in 1861. Eleven years later, in 1872, he established his own workshop in the city. His specialty was filigree, a painstaking technique of twisting fine threads of precious metal into lace-like patterns. That skill set him apart and gave the Rasmussen name an early reputation for intricate craftsmanship.
In 1901, his son Edvard Julius Rasmussen stepped into the business. He carried forward the family’s approach but also steered it into new territory. The early 20th century was a period of shifting tastes, and under Edvard the firm embraced design movements of the time, particularly art nouveau. Enamel in bright colors paired with sterling silver became a hallmark of Rasmussen jewelry, capturing attention in a way that kept the company relevant as styles modernized.
The Rasmussen brand continued through the 20th century under Karl A. Rasmussen, adapting to modernist influences while keeping its emphasis on detailed work. The company itself closed in the 1960s, but the name didn’t disappear for good. In 2000, it was revived by a Scandinavian group that recognized the value of the history tied to it. That revival linked a century-old tradition of Norwegian jewelry-making with a contemporary audience, ensuring the Rasmussen name still carried weight well beyond its original workshop in Oslo.
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