Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Lapponia
In 1960, in Finland, a new kind of jewelry company took shape. It was called Lapponia, and from the beginning it didn’t look or feel like the usual jewelry houses of the time. The man behind it, Björn Weckström, was already a sculptor and an artist, and he approached jewelry the same way he approached sculpture. To him, silver and gold weren’t just materials for decoration but a way to carve out pieces of the wilderness he grew up around.
Weckström’s designs were jagged, textured, sometimes rough, echoing frozen lakes and wind-shaped rocks rather than polished symmetry. They felt closer to landscapes than ornaments. This way of thinking caught on quickly. People who wanted more than sparkle recognized that Lapponia was doing something different: turning jewelry into small-scale art.
As the company grew, other designers joined and carried the same spirit forward, building on the idea that each piece should reflect Finland’s stark and striking natural world. The boldness of this approach eventually carried Lapponia far beyond Finland’s borders. The most famous example came when one of Weckström’s necklaces was chosen for Princess Leia in the original "Star Wars." That single appearance put Lapponia into the eyes of millions, linking Finnish artistry to a global pop culture moment.
Even after that, the company didn’t drift toward trend-driven glamour. Its pieces continued to draw on the north’s silence and severity, as if each bracelet or necklace were a fragment of forest or ice cast in metal. For those who wear them, Lapponia jewelry carries that origin story: a sculptor who wanted jewelry to be more than adornment, and a brand that tied itself to the land that shaped it.
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