Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
J. Tostrup
1831, in Christiania (the city we now call Oslo), Jacob Ulrich Holfeldt Tostrup, a goldsmith, opened his own workshop. He was skilled, but more than that, he was determined to carry forward older Norwegian techniques while also making jewelry that fit the times. The business that grew from his shop would be known as J. Tostrup, and it quickly earned a place in Scandinavian design for its enamel work and inventive combinations of silver and color.
Jacob had a particular interest in reviving ancient Norwegian enameling. Under his hands, jewelry became both ornament and cultural marker. His workshop gained such recognition that it was chosen to craft the enameled insignia for the Order of St. Olav, and the company earned the title of Royal Court Jeweler. These were not small honors, and they showed how far the little shop in Christiania had come.
The Tostrup workshop didn’t stay still. As it passed from father to son, it kept adapting to new styles and new markets while holding on to its standards of quality. Generations of Norwegians and eventually people outside Norway came to recognize the Tostrup name as shorthand for beauty and durability. The company endured shifting tastes, wars, and modernization, yet the focus on craftsmanship remained steady.
What Jacob began in the 1830s continues to carry weight today. J. Tostrup pieces still speak to heritage and artistry, and they connect their wearers to a long line of Norwegian design. From the earliest silver-and-enamel work to commissions for royalty, the company has built a history that’s inseparable from the story of Scandinavian jewelry itself.
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