Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Marius Hammer
Marius Hammer born in Bergen, Norway, in 1847. As a young man he went to Germany to study jewelry making, where he learned the demanding techniques of enamel work. When he returned home in 1871, he opened his own workshop in Bergen. What set his work apart was how he reimagined traditional Norwegian jewelry, using enamel in ways that were both bold and precise.
His skill was quickly recognized. By 1885, his name had reached the British court, and he was given the appointment of jeweler to the Prince of Wales. This honor reflected not only his technical mastery but also how his designs carried something of Norway into wider Europe. Collectors and aristocrats valued his pieces for their deep colors and intricate surfaces, while at home his jewelry became a marker of cultural pride.
The workshop grew, and Hammer’s reputation crossed borders. His use of vibrant enamel became the hallmark of his creations, something that could be spotted at a glance. Demand for his work remained strong for decades. Even when he retired in 1915, the shop didn’t close its doors. His sons carried the business forward until 1930, maintaining the standards their father had set.
Today, Hammer’s pieces are still sought after. Museums, collectors, and enthusiasts prize them not just for their beauty but for the story they hold: a Norwegian craftsman who, through enamel and metal, managed to weave his country’s traditions into the fabric of European jewelry. His work stands as a reminder of a moment when artistry, heritage, and innovation came together in lasting form.
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