Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
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This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
In the heart of Paris, 1887, the streets echoed with tales of a master goldsmith, Jacques Hobé. His fingers danced over metals, crafting pieces that were whispered about in every corner of Western Europe. Jacques wasn't just a craftsman; he was an artist, and his legacy was destined to be woven into history by his ambitious son, William.
While Jacques was a man of tradition, William was a visionary. He saw the dawn of the Industrial Revolution not as a threat, but as an opportunity. From the cobbled streets of Paris, fate took him across the ocean to the vibrant heart of New York. It was here, amidst the city's pulsating energy, that he met the theatrical genius, Florenz Ziegfeld. Impressed by William's unique blend of tradition and innovation, Ziegfeld presented him with a challenge: to create jewelry that dazzled the eye yet was affordable. Rising to the occasion, William crafted pieces that became the stars of the "Ziegfeld Follies," This collaboration marked the birth of what many believe to be the term "costume jewelry."
The 1920s saw Hobe's jewelry gracing the stages of Broadway, with pieces custom-designed for the stars of the time. The jewelry was so exquisite that it became synonymous with the term "Jewels of Legendary Splendor." Hollywood soon beckoned, and by the 1940s, iconic actresses like Bette Davis, Ava Gardner, and Marilyn Monroe were seen donning Hobe's creations, further cementing its reputation.
Hobe's designs were not just about aesthetics; they were a testament to quality and craftsmanship. The pieces often incorporated high-quality stones set in superior metals like sterling silver, platinum, and gold-plated metalwork. The designs drew inspiration from historical periods, with bezel-set semi-precious stones like chrysoprase, lapis, garnet, and amethyst combined with real pearls, enamels, and carved ivory panels. The intricate workmanship was evident in their reproductions of antique jewelry worn in European courts.
The legacy of Hobé didn't stop with William. The subsequent generations, including William's sons Robert and Donald, and later his grandson James, continued to uphold the brand's reputation for quality and design. However, like all great tales, there were periods of change. The original family-run Hobé Company ceased production in the early 1990s. While a company bearing the Hobe name still exists today, its offerings differ in presentation and quality from its legendary predecessors.
But legends never truly fade. Today, collectors treasure Hobe pieces, especially those from its golden era between 1935 and 1955, as symbols of timeless elegance and artistry.
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