Purple Creek has professionally inspected, restored and cleaned this piece of fine jewelry. Our expert metalsmiths have approved this item as ready for the next generation of ownership.
Photos are of the actual item being sold.
Estate jewelry may contain very minor to minor markings due to age and wear. While we represent items accurately on our site to the best of our ability, the color calibration of computer monitors can vary, causing colors to appear slightly different from one monitor to another. Due to this, please note that precise color representation of metal and gemstones is not always possible.
Authentication
This item has been inspected and evaluated by our team of Metalsmiths, Jewelry Appraisers and Gemologists using strict industry standards for diamonds, colored gemstones and precious metals.
Mountings may prohibit full and accurate observation of gem quality and weight, all data pertaining to mounted gems can be considered as approximate unless accompanied by an independent laboratory (ex. AGL, GIA). Unless otherwise stated, all colored stones and pearls are assumed to be subject to industry standards of acceptable treatments, by gemstone miners and producers, of relatively stable and possibly undetected color and/or clarity enhancement.
Shipping and Returns
This item can be returned for credit card refund.
Return Authorization requests must be made within 14 days of shipment and the item must be returned within 21 days of original shipment with security tag intact on the item as received.
See the Return Policy for more details.
Arne Johansen
Arne Johansen entered the world of Danish design at a time when the country was finding its voice in the years after the war. He was born in 1927 in Denmark and began his path in Roskilde, apprenticing with goldsmith Henry Andersen. His skill stood out early, and the Craftsmen's Guild awarded him their silver medal, a recognition given only to apprentices who had shown unusual promise.
By 1957, Johansen had set up his own studio in Copenhagen. The city was alive with modernist ideas, and his work fit right into that moment. His jewelry was defined by clean, confident lines and the use of high-quality materials. These weren’t just decorative objects; they carried the pared-down elegance that became known worldwide as Danish modernism. Collectors and everyday wearers alike appreciated that balance of simplicity and refinement.
His studio soon became more than a local name. Pieces made in Copenhagen were worn far beyond Denmark, reaching an international audience that was eager for the clarity of Scandinavian design. In doing so, Johansen helped carry Danish jewelry onto the global stage, where it stood alongside the country’s architecture and furniture as part of a shared aesthetic.
People who knew him described him as quietly dedicated, someone with a sharp eye for form and detail. That focus showed in every collection he produced. Over time, his designs became touchstones of the era and later, prized by collectors who valued both their craftsmanship and their timeless appeal.
Johansen’s career charted a path from ambitious apprentice to a recognized voice in modernist jewelry. The pieces he left behind continue to circulate today, reminders of the clarity and restraint he brought to his craft. His influence still lingers in the work of designers who draw on the same values of precision and understated beauty.
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